Even one of the most brilliant rockalbums ever released. First were The Dust Brothers, who had impressed Jagger with their work on Beck's Odelay and the Beastie Boys' Paul's Boutique. The bass guitar sounds as good as the bass player plays it:). And, as always, Keith contributes three winners -- including the reggae workout "You Don't Have to Mean It" and the slow-burning "How Can I Stop" -- that cap off another fine latter-day Stones record. Very good repress-reissue. 7243 8 44909 2 8, CDV 2840, 7243-8-44909-2-8, 7243 8 44712 2 4, 7243-8-44712-2-4, CDVX 2840, 7243-8-44712-2-4, 7243 8 44712 2 4, CDVX 2840, 7243-8-44712-2-4, CDVX 2840, 7243 8 44712 2 4, Bridges To Babylon test pressing limited edition 15 copies White record, Bridges To Babylon, 2xLP, Album, RE, RM, Hal, V2840, Bridges To Babylon, 2xLP, Album, V 2840, 7243 8 44712 1 7, Bridges To Babylon, CD, Album, 7243 8 44909 2 8, CDV 2840, 7243-8-44909-2-8, Bridges To Babylon test pressing limited edition 15 copies White record , Album, Club, TP, Unofficial, tes, 7243 8 44909 2 8, CDV 2840, 7243-8-44909-2-8, Musikexpress: Die Platten Des Monats (The Records Of The Month) 1990-1999, 100 Best Albums of the Nineties (Rolling Stone).
I finally got my copy. Once the Rolling Stones picked Stefan Sagmeister to be the album's art director, Jagger told him to seek inspiration from Babylonian art exhibited at the British Museum. Two separated discs squeezed in poor quality cover. 22 in the UK and also became a U.S. radio rock hit. 21 Years later they still performing. As a result, Bridges to Babylon sounds like the Stones without sounding tired. On the first disc I found a piece of production material, it was in the hole, so I had to pierce it like a hymen when I put it on the turntable. All tracks are written by Mick Jagger and Keith Richards, except where noted. 2), Time Waits for No One: Anthology 1971–1977, Jump Back: The Best of The Rolling Stones, More Hot Rocks (Big Hits & Fazed Cookies), Rolled Gold: The Very Best of the Rolling Stones, Rolled Gold+: The Very Best of the Rolling Stones, Live at the Checkerboard Lounge, Chicago 1981, https://en.wikipedia.org/w/index.php?title=Bridges_to_Babylon&oldid=979226969, Albums with cover art by Stefan Sagmeister, Albums recorded at United Western Recorders, CS1 maint: BOT: original-url status unknown, Short description is different from Wikidata, Certification Table Entry usages for Argentina, Certification Table Entry usages for Austria, Certification Table Entry usages for Belgium, Certification Table Entry usages for Canada, Certification Table Entry usages for France, Certification Table Entry usages for Germany, Certification Table Entry usages for Japan, Certification Table Entry usages for Norway, Certification Table Entry usages for Netherlands, Certification Table Entry usages for Poland, Certification Table Entry usages for Spain, Certification Table Entry usages for Sweden, Certification Table Entry usages for Switzerland, Certification Table Entry usages for United Kingdom, Certification Table Entry usages for United States, Certification Table Entry usages for Europe, Creative Commons Attribution-ShareAlike License, Ocean Way Recording (Los Angeles, California), Pierre de Beauport – production ("Always Suffering"), Gerard Howland (Floating Company) – illustration, Pierre de Beauport – six–string bass, piano, This page was last edited on 19 September 2020, at 15:12. First of all it’s a shame that it’s not gatefold. Seeking to avoid possible future legal entanglements, lang and her co-writer Ben Mink were credited along with Jagger and Richards on the new song. I was comparing it to Apple Music and unfortunately streaming seems to be more detailed. With its successor, Bridges to Babylon, Mick Jagger was determined to bring the Rolling Stones into the '90s, albeit tentatively, and hired hip collaborators like the Dust Brothers (Beck, Beastie Boys) and Danny Saber (Black Grape) to give the veteran group an edge on their explorations of drum loops and samples. A total of eight different musicians played bass on the sessions for the album: Jeff Sarli, Jamie Muhoberac, Blondie Chaplin, Don Was, Danny Saber, Darryl Jones, Me'shell Ndegeocello, and Doug Wimbish.
Following the Voodoo Lounge Tour, and Stripped projects of 1994/1995, the Stones afforded themselves a brief respite before Mick Jagger and Keith Richards began composing new songs together in the summer of 1996 with demos to follow as they met in New York in November and London the following month.


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